I Ain’t Afraid of No Sequel

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A new Ghostbusters film is in the works!

I am so incredibly excited for this. Ghostbusters for me is one of those childhood films that you just somehow keep coming back to. As a kid, I feel like I watched that movie over and over again, and it just kept popping up throughout my life. I love it so much.

Granted, not everybody is happy. Shortly after the announcement, Leslie Jones expressed her personal hostility on twitter, saying that replacing the all-female cast with men was like “Something Trump would do.” However, she’s completely approaching it the wrong way. First of all, any attempt to separate the universe isn’t some sort of anti-woman campaign. While, yes, there was a completely unacceptable campaign against the movie by a portion of the internet that were unhappy about the all female cast, the main failing point was that the reboot was just mediocre at best. Both the laughs and action fell short and it wasn’t able to launch itself to the height of the original. It was in its own way a fun movie, but in trying to compete with a classic, it just didn’t gain any footing. Will Jason Reitman’s sequel do better? It’s far too early to tell, but it’s also far to early to say there won’t be any female Ghostbusters involved, so let’s put the torches away for now.

The second point to remember is that Jason Reitman is making this movie as part of his legacy, not some vendetta against the female cast of the reboot. Reitman’s father, Ivan Reitman, directed the original two Ghostbuster films (as well as Evolution, which if Jason would like to also make a sequel to that, I’d be very appreciative), and Jason was often on set for those films, even having a speaking role in the second movie as one of the kids from the party. For Reitman, this franchise is about family business. He’s connected to it, has literally lived through it, and is absolutely the best choice to continue the movie and retain its tone, visual themes and brand of humor. Reitman’s choice to make a new Ghostbuster film is from a lifetime of attachment to the franchise, not in direct response to the underwhelming result of the reboot. The studio’s decision to move in a different direction, however, probably was.

Now, I don’t want to just take shots at the reboot. It’s been 3 years, it’s had enough at this point. Is it perfect? No, definitely not. Does it do a good job nodding to the original and throwing in some fun Easter Eggs? Absolutely. Like I said, it’s a fun movie in its own way, but is definitely cringe-worthy at points and hard to get through for some people. However, Paul Feig did a good job working in tons of cameos and send backs to the original franchise. Honestly, aside from the general clunkiness of the script, the biggest falter of this movie was that it was a reboot to begin with.

Had it been a sequel, had it focused on the original Ghostbusters, or at least some of them, training up a group of new Ghostbusters that just happened to be female, it would have avoided the entirety of the screeching internet troll brigade, which wouldn’t have entirely saved the movie, would have at least given it a leg to stand on by the time it made it to theaters. Reboots are just tough, especially those were you have to spend an ample amount of time giving credibility to the characters. Reboot Batman, you can jump right into him nut-punching bank robbers. Reboot something like this with intention of focusing it around new characters, you have make those characters worthy replacements for the original. If you provide them connection to the original, their credibility can be established through training or the sage advise of a seasoned vet in the field.

Granted, the struggle to get a Ghostbusters 3 has been a long and mainly uphill battle. Dan Aykroyd original pitched a script with a budget of $150 million, but was simply scoffed at by the studio. Over the years the process ebbed and flowed in a common pattern: Screenwriters were found, drafts were made, Bill Murray wouldn’t read them, problems would arise, script would be tossed, rinse repeat. By the time 2016 rolled around, a reboot seemed like the way to go since nobody could get on board for a sequel. And yet, the reboot saw the return of the entirety of the main cast in cameo form, minus Harold Ramis, who passed away in 2014 six months before the movie was announced, and Rick Moranis, who has long since retired from acting. Paul Feig taking the movie in the direction of a reboot made sense, as it felt like everybody had mostly just excepted a sequel wouldn’t happen at that point.

So, for what it’s worth, there was a lot stacked against the reboot, and what we got wasn’t entirely awful. Heck, it even won some Kids Choice Awards.

But this is why a sequel is so exciting. The teaser seems to suggest that the Ghostbusters weren’t a continuous and consistently successful thing, a them familiar from Ghostbusters II, which opens with the group mildly disbanded and some members having to do birthday parties to make a buck. Jason Reitman has mentioned that we’ll meet all sorts of new characters as well as reintroducing old ones. It’s perfectly set up to be what I mentioned above: New people drafted into a cause by the seasoned veteran. In addition, Reitman’s connection to the franchise will hopefully keep the film grounded in the tone and visual appeal of the first movie. I’d like plenty of practical effects, but I won’t hold my breath. I’m excited all the same, CGI ghosts or not.

One thing that I wish would become more commonplace, and would easily have been an option of some kind to the reboot, is setting an IP in the WORLD of another IP, without directly rebooting the IP or connecting to the IP. If they had set the Ghostbusters movie in the world established by the Ghostbusters movies, with all the freaky occurrences and creative ghost design, but NOT made it tie directly back into the original franchise, with the aforementioned “sage advice from an experienced expert” trope, it would have hit theaters as both a connected IP to the original world and lore of the first two movies and also something that stands on its own without the need to be compared to the original. This doesn’t happen nearly enough, honestly. Recent examples are the Fantastic Beasts movies set in the World of Harry Potter, which are stories set in the past of the Wizarding World and, except for brief glimpses, do not tie directly into the Harry Potter movies the way a prequel would, in that the actions of these characters don’t directly produce the story of the main Harry Potter title, even if some of the ripples do.

We’re so obsessed with letting there only be Sequel or Reboot that we just don’t allow people to build new stories in the compelling world they’ve already created. It happens from time to time, typically as directly connected Spin Offs, a la Angel spawning out of Buffy. It works sometimes, doesn’t at other points. Another recent example is Fear the Walking Dead, which was set in the world of the Walking Dead, but out in California instead of the American South. As far as I know, the show didn’t do great. I mean, first of all TV is tough in general and viewership can decline fast. Second, it’s zombies. No matter where you set it, it’s not going to have much appeal or really feel to different. However, in the end this was a new IP created in a world built by previous IP and that’s commendable. That’s creative. Constantly looking to continue stories or completely reboot them just feels stagnant at times or even ruins the impact of the original stories end.

I often fly into this rant when I think about the upcoming Last of Us 2. I was excited when they announced this game because I had hopes that it would be a new tale from new characters set in the grim wilds of the Last of Us world. Again, it’s zombies, but the Last of Us crew has shown incredible ability at writing character-driven narrative with the apocalyptic dangers as a backdrop. While their zombies are definitely more creative than what we’re generally used to, it’s the characters steal the focus. Their plights and the air of untrust that drapes across the world. The first game beautifully developed this relationship between Joel and Ellie as they quested across the nation and learned how to trust one another. It ended with this trust being tested and Ellie silently deciding what that means to her. We don’t know for sure what Joel’s actions would lead to for their relationship, but the point we left them at was beautiful culmination of a visceral story of humanity. Close book, take deep breath, move along.

Then comes part two, which again focuses on Ellie and Joel. They’re older now and interacting with a few new characters (oh look, Laura Bailey and Troy Baker in the same game….weird), but where does the ending of the first one fall. Are we going to see how that ending impacted their friendship or father-daughter dynamic? Will they reference it too much or not enough? Do we learn if Ellie chose to believe Joel or if his decision to lie to her hurt her trust? More importantly, do we need to know these things? What’s the problem with an ambiguous ending?

I’m bummed, to summarize, and I may be in a minority, I’m not sure. The only person I’ve really talked to about this is a close friend of mine and is, honestly, very hyped for that game. However, she tends to be very hyped for a lot of things. She hypes easily. It’s one of her lovable quirks.

I just believe they built this big beautiful world and deep lore that could easily be explored by new people. It doesn’t ALWAYS have to be direct sequels or full on reboots. Assassin’s Creed has been doing this well lately, though their story is a might bit convoluted. I just wish more creators would see the potential of building their story from a new angle as opposed to rehashing and reworking the same characters, never truly giving them an ending until we watch them die on screen (sorry Han). Looking forward with this concept in mind, I’m very curious where Star Wars will go. The latest trilogy is wrapping up and Disney is juggling all their “Hey, what about this character but as like a 20-something or teenager?” movies around. It will be interesting if we just keep getting movies about the youths of characters we’ve already met (Watto at Business School: A Star Wars Story) or if we’ll start getting some more original stories. I’d love for the next push to focus on the Old Republic or possibly more stories set in the Outer Rim. Just no more Skywalkers, please.

In the end, I just wish creators focused more on the boundless potential of world-building instead of just one character’s story or focusing on origins. There are so many stories to be told in these beautiful worlds and rich lore we’ve established. We as consumers need to support and praise the new and bold.

……Seriously excited for that Ghostbusters sequel though.

[I’m a hypocrite]

~C

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Busy-ness is My Business

I recently read an incredible article from Buzzfeed News titled “How Millenials Became the Burnout Generation” by Anne Helen Petersen. It was an extremely insightful article and really connected to me on a personal level. It was cathartic going through the piece and seeing feelings and struggles I regularly experience described and analyzed. The roots of issues sussed out and expanded upon. Honestly, it’s worth a read whether you are a millennial or not and whether you feel exhaustion or not.

I definitely understand the concept of “errand paralysis” and it’s connection to exhaustion. I have such little time day to day that I’ve had to throw a lot of the things to the wayside, those things often being matters of cleaning, organizing and general home upkeep. My time is a premium and I need to be dedicating as much of it as I can to the things important to me. I find myself, much like the examples in Petersen’s article, constantly so busy with other things that errands and chores become too mundane to factor in. The freaky thing is that I never even realized I was doing it. I was shoving things off to the next day or the next week without really comprehending why.
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Breaking Coverage: This Week People Get Straight F***in’ WRECKED from Behind

Interesting trend in covers this week. It seems many people just wanted to go about their day and enjoy their lives when suddenly SOMEONE SNEAKS UP BEHIND THEM AND FUCKS ‘EM UP PROPER.

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Me thinks comic characters really need to be more aware of their surroundings.

I like to think this is a metaphor and the comics industry is trying to keep us mindful of the truth. It’s a new year, and we’re all making resolutions or introspectively planning out how to better ourselves. It’s nice to be reminded that you’ll be strolling along with the best intentions when life and the real world will pop out from behind a bush or partition and kick you in the spine. Gotta be ready for that.

Thank you, comics, for reminding us all of the inevitability of getting ambushed from behind!

Good lookin’ out.


On second thought, this could be a cry for help. Comics industry, are you okay? Do we need to call someone? If you need assistance, next week have your covers featuring characters blinking twice. That’s how we’ll know.

Poor comics industry. I told you that you were hanging with a bad crowd.

~C

A Year in Movies

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Toward the end of 2017, I got into the habit of seeing one movie in theaters every single week. It became a steady part of my routine, so much so that I dedicated myself to seeing one movie a week every week of 2018 and keeping a rolling list.

I failed.

Not miserably so, I ended up being just 5 shy. Various weeks of extreme business and the inevitable business of the holidays prevented me from fully reaching my goal. Still, 47 movies in a year is not bad.
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The Ultimate

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With Into the Spider-Verse receiving insanely high and much deserved praise from critics and viewers alike, I wanted to take a quick moment to talk about Miles Morales and why we need to do whatever we can to keep him in the mainstream limelight.

Miles is by no means new. He’s been in the comics since 2011 and in cartoons since 2014 or so. However, his appearance on the big screen, as a main character at that, is the first time Miles has become a household name. A whole movie focuses on his origin, from bite to getting his own costume and saving the day. This is Miles’s moment, and it is blowing up around the internet. And that’s exactly how it should be.

Miles is the superhero kids today need to know about and look up to. He is the absolute best superhero role model for today’s youth, much more so than Peter Parker.
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Guide to Nerd Shopping

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I don’t have very long to write because I still have a Podcast Episode to finalize and packing to do for traveling south for Holiday stuff. Busy time of year. Yeesh.

I did however want to do a quick community service post. This topic hits really close to home for me as I get approached about it quite a lot, specifically like so:

My [FRIEND/RELATION] is really into [HOBBY/COLLECTIBLE]. Which one should I get them?

Okay, at the very get-go, this is nearly impossible for someone to just SOLVE. Namely, the question just doesn’t have enough information. Whether the person is into board games, comics, movies, figures, roleplaying games, or anything, simply approaching someone also familiar with those things and saying “find them a gift” is not going to cut it. Typically, I respond with three questions:

  1. Do you know what they need?
  2. Do they frequently by new [PRODUCT] or just have an extended library of classics?
  3. Do you mind getting them something they potentially already have?

I ask these questions because it helps me dictate what the appropriate item to purchase for a gift should be. To alleviate the NEED for the questions, I’m going to give you the three key gifts for someone with a hobby. This can be anything from tabletop war games to stamp collecting to shoes and clothes. Essentially if there is something that someone spends a distinct portion of their time gathering, learning about and engaging in, here is how to shop for them once the Holidays roll around.

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Roll Call: So, you lost…

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One of the hardest things for both Players and GMs in any campaign is loss. Not just the actual loss or death of a character, but the players actively failing a scenario. This could manifest as something as massive as a total party kill or as simple as failing to save an NPC or solve a mystery. However big or small, failure can do massive damage to the motivation of the Players, both in regards to their movement in the game and even actually wanting to play again in real life.
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Breaking Coverage: Return of Wolverine #3

Scenario: Your friend of many years, someone who you have shared many laughs and hard times with, possibly even been intimate with, dies. A few years later, you find that someone has exhumed your friend’s body and later find that this person is actually alive after all, though you aren’t entirely sure how. How would you react when coming face to face with that person? Bursting with joy? Overcome by sadness? Generally overflowing with questions?

Well, if you’re a member of the X-Men, you’ve definitely had this experience…. Probably a few times. I mean, the X-Men have a tendency to just up and die only to be back later like “what’s for lunch, guys?” It’s understandable that after a few times losing teammates to hell or giant space bullets, you’d probably get a little desensitized at some point. Case point:

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Turkey and Gratitude

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Things I am thankful for:

  • Fallout 76. Thank you for reminding me that even things that I love will one day disappoint and betray me.
  • Donny Cates. For showing that sometimes the best way to create something new is by simply cramming two old things together and going with whatever the result is.
  • Netflix. Thanks for doing that jumpscare intro for a month or so around halloween. It’s good to know my heart is still healthy.
  • Leftovers. A month from now I will have something to do when I open the fridge, see the dozen or so tupperware and say “oh, ew, we still have leftovers.”
  • The 2018 Election. Thank you for showing that we live in a country where a state that is very evenly split between two parties will receive mockery and ire from the rest of the country instead of being praised as a prime example of democracy at work.
  • Keyforge. Randomly generate names for decks in an incredibly random card game? Cool idea. Who knew it would be the source of such simplistic comedy.
  • Food Network Cooking Challenges. Thank you for the opportunity to sit and be loudly judgmental of  someone else’s culinary abilities and choices. It’s the perfect accompaniment to my microwaved Spaghetti-O’s.
  • Son’y Spider-Man. Not really anything funny to say, just thank you. The whimsy and joy this game gave me was remarkable. I felt like I kid again the whole time. I can’t wait to play the DLC.
  • My three cats. Honestly, that whole desire to have a clean home was just getting in the way anyway. Good lookin’ out, cats.
  • Bradley Cooper. Thank you for making the bar of attractive male so incredibly high. Seriously, I was worried it would be too easy to be considered attractive. Handsome, funny, great beard, Well educated, multi-lingual, talented actor, talented voice actor and, thanks to A Star is Born, musically talented both on an instrument and in voice. Awesome. Thank you SOOOOO much, you ass.
  • The Haunting of Hill House. Thank you for bringing the hidden ghost concept to mind so now I can’t watch any show or movie or even walk through my own home without looking for subtle ghosts hiding somewhere.
  • White Barn 3-Wick Candles. It’s nice to have an addiction that at least smells good. Still an addiction, though. Seriously. This is a cry for help.
  • The people of New Orleans. I thought I knew what drinking was, but you guys showed me there is just like a whole other tier of drinking I didn’t know existed.

 

And of course, I am thankful for my awesome friends, wonderful family, and my lovely wife. Thank you to all those people for being in my life.

Now I better start cooking or those friends are going to beat me.

~C

Excelsior!

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The big news this week is that Stan Lee, Marvel mastermind and general imagination advocate, passed away on Monday at the age of 95. By now, we’ve all heard about it, and most people appear to be responding in the same way.

All this week, I’ve had people come up to me or message me asking what I think. I’ve had a lot of people telling me how the news ruined their day or generally bummed them out. People on Facebook, Twitter and Reddit have been sharing stories and pictures of Stan Lee. A myriad of artists have posted tribute pieces to Stan the Man. There has been a massive, collective vigil across the comics community and it’s impressive to see. Honestly, it’s a testimony to the effect he had on the world.

I think what’s important when a celebrity passes is to focus on their achievements. Focus on the fact that they were able to put something into the world and watch it grow. They were able to cultivate so much love and admiration simply out of their talents and determination. Look at them for inspiration and drive forward. If they truly touched your heart or inspired you in some way, then make them proud. Focus that grieving energy on living the life THEY would want you to lead.

In the case of Stan Lee, we have a man who was actively working and creating all the way up to his passing. While his last year may have seen him slowing a bit as he dealt with pneumonia and some conflict with people close to him, he still continued to interact with fans and do what he can to inspire people. Stan Lee passes having left behind a massive legacy that he got to watch rise, nearly fall, and come back even stronger. He got to see the birth of a whole new way of telling the stories he had helped cultivate. He got to expand and refine his abilities, dipping into everything from Manga to poetry to video games. This man was an absolute power house of imagination and passion. It’s really no surprise so many feel the way they do right now.

Hell, I want that. The truth of the world is that we all have to go sometime, and honestly that right there is the perfect way to go out: still passionate, still creating, still watching your legacy thrive. Going out on top. Being a superhero all the way to the end.

So let’s all try to live our lives the way Stan did. Let’s all find our passion and spend every waking hour with it. Let’s give back into the world and expect only happiness in return. Let’s challenge ourselves and break out of our comfort zones from time to time in the name of extending our reach. Let’s build legacies that touch as many people as we can. Not for us, but for them. Let’s use our talents to give people something to look toward or escape to or find comfort in.

We all, each and every one of us, has the power to bring joy to others.

We just have to find the responsibility.

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~C